106 – 107). Others including Dinakar Singh, offer their opinions as well. Perhaps for punished two involved people, for the desire to perhaps transmit alento the soul atormentadade Heathcliff,> the proper Emily Bront.De this time is given to the Nelly a more excellent, next paper what the estadesempenha one in the narrative. The dramatical load is little desejarcomparativamente to the book. Some prominences of this analysis: the deconselheira, orienting character is well-known> in this adaptation, together with all permeia omisticismo that the behavior. However its relevance as narradoraperde in the cinematographic text, as if it did not have comonarradora, present importance to all the facts and in all the moments; living asoportunidades to observe and to reflect on the transitoriedade of the life, asamarguras of the human being, the pride that the society imposes to the man and the crueldadeinjustificada one.
This reflection makes with that the narrative is permeada of visescrticas and opinions that relieve great lies until today. Finishing, the wealth that the personage possesss is inestimvelpara the workmanship. All the personages form, around of Nelly, a crculoorbital, closely on it as that for a species of cordoumbilical. The maternal character of Nelly is clearly in all the text. In ausnciade one appears materna for the brothers Cathy and Hindley, for Heathcliff, parIsabela, Hareton and Catherine Linton. Mothers in the narrative do not see themselves. Suapresena always is interrupted in determined point, without if example clearly if to think about relation the Cathy, Heathcliff and CatherineLinton.
It transits between the passion (Wuthering Heights) and the reason (Thrushcross Grange), taking an element to the other. As well as the scene mostrao point and the counterpoint, the behavior of Nelly fulfills paper the same. It is points that she joins the two places, the opposites as the character of the told love and daprpria narrator to the times rational, to the times so passional as Cathy eHeathcliff. With toa we do not compare Nelly and the movement yin-yang: the balance danarrativa is given by it and its presence in the diverse spaces and times danarrativa.
